Llaneramente  hablando, cambios de  casa en la narrativa de  Alberto Llanes

Krishna Naranjo Zavala

doi:10.53897/RevInterp.2025.04.15

Authors

Krishna Naranjo Zavala University of Colima https://orcid.org/0000-0001-9068-8539

DOI:

https://doi.org/10.53897/RevInterp.2025.04.15

Keywords:

Review, Llanes, narrative

Abstract

Reading Llanes is a breath of fresh air and freedom.
I will let my words flow freely, because the author, my colleague at FALCOM, invites us to nirvanically, rockingly, and—most unusually—Franciscanly, cast off the shackles of language, the formalities of everyday life—which he knows very well—and rockerly and—most unusually—Franciscanly, to shed the shackles of language, the formalities of everyday life—which he knows very well—political correctness, the burden of jobs and emails and so many other pebbles typical of this time where the Antipoetics of Urgency reigns.

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Author Biography

Krishna Naranjo Zavala, University of Colima

Email: krish@ucol.mx
Mexican. She is a research professor and current director of the Faculty of Arts and Communication at the University of Colima. Her research focuses on Mexican poetry and contemporary indigenous literature. She has taught courses on creative writing, contemporary Mexican poetry, and other related topics. In March 2021, she received the “Griselda Álvarez Ponce de León” Award from the Honorable Congress of the State of Colima for her career in the literary field. In November of that same year, she won the 50th Edmundo Valadés Latin American Short Story Contest. She is a member of the Colima Correspondent Seminar on Mexican Culture. She is part of Academic Body 49, “Rescue of Cultural and Literary Heritage.”
She has published the poetry collections: Letanías mestizas (2011), Batalla de la aurora (2015), Tierra de cada día (2015), Tal vez el bosque (2016), Principio de los árboles (2021), as well as the children's storybook, Beto, su secreto (2012). His most recently published research works are: “Memory and Poetic Creation in Griselda Álvarez and Dolores Castro,” co-authored with Ada Aurora Sánchez Peña, which is part of the book El canto del zenzontle. Critical Approaches to the Work of Dolores Castro (2023), and the chapter “The Essay on Mexican Literature in Indigenous Languages” from the book Artistic Representations of Indigenous Peoples in Latin America (Universidad Veracruzana; Iberoamericana Vervuert, 2024).